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You Are The Morning - jasmine.4.t: Review

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jasmine.4.t is a British singer-songwriter who was announced last year as a new signee of the Phoebe Bridgers-led Saddest Factory record label. You Are The Morning  follows a trio of singles that dropped last year and features Phoebe Bridgers' entire group, boygenius, on production throughout the record as well as occasional backing vocals from the trio. I was extremely excited for the release of the album after loving all of the singles and this style of indie-folk and singer-songwriter music in general. Delightfully, Jasmine didn't disappoint. When I say my expectation were high for You Are The Morning  I mean it, because the album's three singles are an astounding bunch. Lead single "Skin On Skin" is a wonderfully written tune that's able to convey some unique sensations with the physical descriptions in its lyricism. It's also the moment where I first fell in love with Jasmine's subtle but beautiful singing and when the song rushes into its surpris...
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Willoughby Tucker, I'll Always Love You - Ethel Cain: Review

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 \ Ethel Cain is a singer-songwriter who has ridden a wave of popularity spawning from her 2022 album Preacher's Daughter . The record's vivid conceptual portrayal of rural living, vibrant coming-of-age narratives, and willingness to tackle difficult subject matter made it a critical darling and developed Ethel an instant cult following. Personally, I liked but didn't love the record, with my biggest complaint being the length of the album overall and the length of the individual tracks that often extend past what feels necessary for their emotional impact. That issue extended to her record Perverts  earlier this year. It proved divisive with her fanbase as she abandoned many of her folk and singer-songwriter conventions in favor of an indulgence into the world of drone. But on Willoughby Tucker , Ethel returns to her familiar style and encounters similar pros and cons.  I went into Willoughby  with high expectations based on its two singles. The longer, darker, and ...
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ICONOCLASTS - Anna Von Hausswolff: Review

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Anna Von Hausswolff is a singer/songwriter who has always made waves for their distinctly intense and occasionally brooding style of music that makes prominent use of the pipe organ. Her peak of critical acclaim came on 2018's brooding yet expansive Dead Magic . Her 2020 follow-up was an entirely instrumental record, meaning ICONOCLASTS  had the chance to be a long-awaited return to form. Instead, the record presents a sound both brighter and more intimate than ever before, but finds a similar level of fascination in doing so.  The singles predicted this shift in style, but they were all so good that I never had the chance to even be suspicious about it. "Facing Atlas" is the first of the singles to pop up on the record, and it's a great way to begin the experiment. The song sounds more like something you'd hear on a Susanne Sundfor record than what I expect from Anna. The beauty of its angelic chimes matches really well with a chapel-sized performance from Anna. ...
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