Rapid Fire Reviews: Natalia Lafourcade, Lianne La Havas, Kelly Lee Owens
Natalia Lafourcade - Un Canto por Mexico, Vol. 1
Natalia has been one of the leading voices in the world of Mexican folk revivalism with her pair of Musas releases both of which received massive critical acclaim including from me. While UCPM isn't quite the same concept the sounds will be familiar to people who have been following Natalia recently and he executes it well. The set of tracks here are raw but extravagantly performed and lushly arranged which means that even when moments blend together the minute to minute sound of the record is exciting. While it clearly won't be for everyone if you've enjoyed her music prior to this then the album is yet another can't miss entry. 7/10
Lianne La Havas - Lianne La Havas
This album completely slipped under my radar despite the fact that I was a fan of Lianne's debut Is Your Love Big Enough? around the time it came out. Given that it was one of the records I was most excited to finally get a chance to listen to my expectations we're rather high but the album largely lives up to them. Lianne is back with a rich array of R&B songs that provide warm textured instrumentals backing her ever charming voice. While she isn't necessarily pushing the envelope anywhere on the record it's mixing pops on one track after another which makes it's already great instrumentals sound even more inviting. From the catchiest singles to the most heartful ballads and with even a Radiohead cover slid in-between the record tackles nearly all its ambitions head on and makes an R&B record that blends a sound analogous to last years excellent Solange record with songwriting reminiscent of the genres 90's heyday. 7.5/10
Kelly Lee Owens - Inner Song
I wasn't a massive fan of Kelly's first album but I do think she makes some meaningful improvements on Inner Song. The record consistently reminds me of early James Blake with its minimalist ballad lik interpolations of electronica and house music aesthetics. The record certainly isn't the most involved listen you'll have in 2020 but some of the quietest songs emerged as highlights on repeat listens. While I still think Kelly has a step to take in finding a definitive sound that makes her albums feel like complete singular statements there is a lot of potential in the music here. 6/10