Lav's Music Corner

Tame Impala is one of the most beloved indie bands of the past 15 years. It's the project of singer-songwriter, multi-instrumentalist, producer extraordinaire Kevin Parker. While the second Tame Impala record,  Lonerism , remains their peak of critical success, its follow-up, Currents , embraced a psychedelic pop style that introduced the band to an entirely new fanbase. In the years since, songs like “The Less I Know The Better” and “Let It Happen” have been cemented as modern indie classics. Despite that, the band's 4th album was met with mixed reviews, though I came away liking the record more than most critics. Deadbeat has taken an even harsher critical beating than its predecessor, but this time I completely agree.  Not to say this record is a complete waste. The lead single “End Of Summer” still works for me. It reminds me of many great, lengthy Tame Impala songs before it, with the way it transitions from one infectious segment to another effortlessly. But it's th...

Agriculture  are an LA black metal band who erupted onto the scene with a challenging but visceral self-titled debut in 2023. While I enjoyed that record, what I enjoyed even more was the Living Is Easy EP that followed it up and contained one of the band’s best songs to date, “In The House Of Angel Flesh.” With even stronger singles leading into their sophomore effort, The Spiritual Sound , I was expecting another outside-the-box black metal experience. That's exactly what I got.  The album is essentially split down the middle by a titular instrumental interlude, and everything that comes before it is pretty great. That includes the staggering single “The Weight.” I still think it's one of Agriculture’s best songs yet, and the way it builds to an absolutely pummeling peak across 5 minutes should be studied. The way it concludes is so eerie and suspicious, it's just irresistible.  As a whole, the record is often unsettled, both in its compositions and influences. The bes...

Review by Lavender: Geese are a NYC indie rock band that erupted onto the scene in 2023 with a breakthrough sophomore album,  3D Country. That record went on to become a major critical darling, and in 2024, the band's frontman, Cameron Winter, released a solo album that showed off a more intimate and singer-songwriter-influenced style. I was hoping that dynamic range would come together perfectly on the band's third album, which quickly became one of the most highly anticipated releases of the year for many indie fans. While I may not see the album as a slam-dunk masterpiece like some fans and critics have rushed to declare, it's undeniably great regardless.  A big reason for my excitement for this record was the trio of excellent singles released before it dropped. The second single, "Trinidad," is the first song in the tracklist, and what a ferocious start to the record it is. The more sparse elements of the instrumental don't really prepare you for the repe...

Straight Line Was A Circle - The Beths I was late to The Beth's rock-solid 2022 album Expert In A Dying Field , something I still regret. That's why, going into this album cycle, I was paying close attention to the singles, something that paid off. The New Zealand indie rockers conjured hazy, dreamy, catchy bliss one time after another, starting with the sentimental "Metal." That same indie punk zeal pops up on the delightful "No Joy" whose verses have been drilled into my head for weeks. But the band also showed off a more sentimental side on songs like the gentle "Mother, Pray For Me" and the deep cut "Mosquitos."  The opener and title track, "Straight Line Was A Lie," is a punky tongue-in-cheek opener that sets up some of the punkier themes of aimlessness that the record explores in depth and does it with an irresistibly sweet guitar riff. Just like it starts on a strong sequence, the album ends strongly, starting with my fav...

Maruja are an English post-punk outfit that I've been paying a lot of attention to recently. They represent the newest addition to an ever-growing string of recent acclaimed European post-punk acts and approach the sound with a raw fury and political edge that's unmatched by any of their contemporaries. Like those contemporaries, the band is also off to a red-hot start to their careers with a trio of EPs already under their belt. The first of which, Knocknarea , blew my mind a few years ago. Now the band is back to blow it all over again with a razor-sharp, righteous, and pummeling debut album.  The first half of Pain To Power sports two singles I loved, but not before the ripping opener “Bloodsport.” The track hits the ground running with explosive punky instrumentation and undeniably grimy lyrical themes. By the time the sizzling saxophone pops up on the hook, I'm already fully bought in. The other shorter cut on the first half of the record is the single “Saoirse.” It...

Sabrina Carpenter rapidly ascended to superstar status last year. After bubbling up as the bad guy in Olivia Rodrigo's debut album, she scored a few mid-level hits and then absolutely erupted on the back of "Espresso." But for me, her breakout was a pleasant surprise. Once her debut album arrived, it was easy to see on songs like "Juno" and "Taste" that she was a different caliber of talent than some of her contemporaries. But for a few reasons, I was a little bit suspicious going into this new record. Firstly, because it arrived so quickly after its predecessor. Secondly, because its lead single "Manchild" is good, but not great. And finally, because Jack Antonoff had a hand in production on almost the entire album. The result is exactly the drop in quality I expected, though how far is a matter of debate.  That's a negative way to start, so let me assure you, there are some GREAT fucking songs on this album. The second single, "Tea...