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Metallic Life Review - Matmos: Review

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Review by Lavender: MATMOS are an electronic duo whose experimental and conceptual albums have dazzled me for a VERY long time. Across their discography, albums like A Chance To Cut Is A Chance To Cure , The Rose Has Teeth In The Mouth Of A Beast , and a spectacular three-album run from 2016 to 2020 have both challenged and delighted me. The middle of that trio, Plastic Anniversary,  is of particular note as it saw the band crafting an entire record out of samples of various plastic objects. That same technique is used on this record, but appropriately, with metal objects.  I think the record got off to a strong start with a pair of great singles. “Changing States” may be the most conventional composition here, with a percussive style that sounds like a lot of other Matmos records. I love the way it has so many different metal sounds weaved together, and yet so many of them are instantly recognizable. It's the kind of readymade song that made an album like Plastic Anniversary ...
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Sorry Girls - Dreamwalker: Review

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  Review by Lavender: Sorry Girls  are a Canadian indie pop duo whose name I've heard a few times in the past few years. While the band sounded pretty routine to me each time I had heard them so far, the trio of excellent singles leading into Dreamwalker had me expecting something very special. While the album is certainly good and the best Sorry Girls offering yet, it ultimately settles into an above-average collection of dreamy, catchy, DIY pop.  Let's start with that trio of singles, because they're absolutely dazzling. “Ricochet” led the way, and it's the song that instantly sold me on Sorry Girls. The way the breezy verses give way to an absolutely irresistible chorus is immaculate, and the lyric “feet don't walk away, they ricochet” is so simple and evocative it's brilliant. I also adore the third single “Hush Baby.” It has this tender chorus that kicks off with a rush of lush strings that swing so gently. I also love how the song flips someone telling yo...
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Indie Lates with Arcade Fire, Car Seat Headrest, The Horrors, Pulp, Stereolab

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For this week's rapid-fire reviews, I'm taking a look at 5 records from indie and alternative bands that would have, at one point in their career, been MUST-COVER acts. For one reason or another all of these bands who have material I adore under their belt slipped through the cracks earlier this year, so let's catch up.  Pink Elephant  - Arcade Fire I can be a little bit picky about production, I think everyone knows that at this point. But one thing I normally don't do it let that fact completely dictate my feelings on an album, but I just can't fucking tolerate Pink Elephant . This shift to a more intimate style at the hands of Arcade Fire's dual vocalists had potential, but god, they should have handed the production off to someone who knew what they were doing. Instead of raw in an intimate and vulnerable way, these songs are raw in a grating, outright painful way that clashes with the obvious ambitions of the songwriting.  Take the single "Year Of The ...
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Lotus - Little Simz: Review

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Review by Lavender:  Little Simz is one of the best rappers alive. I feel pretty comfortable saying that. It began at the tail end of the previous decade when she broke through with the ferocious Grey Area . Two years later, she followed it up with one of the best albums of the decade, the staggering rap opus Sometimes I Might Be Introvert , which I gave a perfect 10 and called my favorite album of 2021. Then, just a year after that, she punctuated it with another great record in NO THANK YOU . But since then, Simz has had a falling out with her principal collaborator, Sault mastermind Inflo, whom she sued for an unpaid loan and spends LOTS of time on Lotus  attacking. And in her first outing since breaking through without Inflo by her side, her talent continues to shine through, even if some of the production and conceptualization is more hit or miss than usual.  Lotus censors Inflo's name whenever it comes up thematically, but that's the only courtesy it gives the dram...
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Magic, Alive! - McKinley Dixon: Review

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Review by Lavender:  McKinley Dixon is a Virginia rapper who has spent this decade rising higher and higher as a critical darling of hip-hop. That began in 2021 with his album For My Mama And Anyone Who Look Like Her , which I liked a lot. That trek continued onto 2023's Beloved! Paradise! Jazz!?  which I was equally fond of. I got the chance to interview McKinley at the end of 2023, and he sounded like someone who knew their work wasn't done yet. which is why I was so excited to hear from him again. On Magic, Alive! , he delivered everything I could ask for and more.  After a short intro, the album begins with its lead single “Sugar Water,” whose jazzy instrumental with wandering sax lines and bouncy piano kick-starts the record immediately. McKinley pops up three times on the song, and he's pretty much flawless with each and every appearance. Guest rapper Quelle Chris can't nearly match that energy, and as a result, the vibrant instrumental kind of floods him out, wh...
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Better Dreaming - Tune Yards: Review

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Review by Lavender:  Tune-Yards is an Oakland indie-pop duo who emerged as a surprise critical darling in the first half of the 2010s with the combination of their frenetic, world music-inspired tunes and frontwoman Merrill Garbus' unique, striking vocals. Though their 4th and 5th albums weren't quite as acclaimed as projects like W H O K I L L and Nikki Nack , I certainly think both records have something of their own to offer, and I went into Better Dreaming expecting more of the same based on a strong trio of singles. But just as the album has its strokes of excellence, it also has some real head-scratching moments.  The trio of singles released in the lead-up to Better Dreaming got the record off to a really promising start. The best of the bunch is “Limelight,” an absolute fucking banger to kick the era off. It has an absolutely irresistible bassline and verbose, playful verses that just drill into my head. On the hook, it all erupts into an absolutely perfect chorus that...
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caroline 2 - caroline: Review

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Review by Lavender:  caroline are a British 8-piece post-rock outfit who, despite denying its influence, seems to blend the sentimental flavors of Midwest emo with their winding instrumental passages and compositional flexibility. Back in 2022, I called their first album caroline  , one of my favorite debut records of the year , and I was really looking forward to what the band had in store. Now, 3 years later, they're rapidly becoming critical darlings as praise and attention for this record has begun to pour in. Though I don't love the record quite as much as some, I still think it's both an improvement on their debut and a very strong statement.  caroline 2 led off with one of the best singles I've heard anywhere this year, “Total euphoria.” It introduces the album's signature combination of fluttering emo-influenced motifs with vibrant post-rock instrumentation, and the cooed-out vocals have been stuck in my head for months. It's an entrancing combination t...
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